Matthew Solomon's study of Chaplin's The Gold Rush (1925) provides an in-depth discussion of the film's production and reception history, placing it in the context of the turn-of-the-century Alaska Klondike gold rush, and analyses the film's narrative and formal features, particularly its references to music-hall performance styles and tropes.

The films of Georges MEliEs (1861-1938) are landmarks in the early history of narrative filmmaking and cinematic special effects. He was a harbinger of modern aesthetics and media manipulation, and this book, written by his granddaughter, is the only one that tells his full story. Magnificent MEliEs is a thoroughly researched but highly accessible book that is a crucial source for the scholar and an entertaining read for the nonspecialist. The core of the biography provides detailed accounts of MEliEs's filmmaking years (1896-1912), from his first motion pictures shortly after the public premiere of the LumiEre CinEmatographe through such worldwide successes as his film Le Voyage dans la lune (A Trip to the Moon) and his eventual marginalization by the very industry he had helped to found. The biography also chronicles MEliEs's formative work as director of Paris's preeminent magic theater, the ThEAtre Robert-Houdin; his subsequent career staging operettas for the ThEAtre des VariEtEs Artistiques (1917-1923) in Montreuil on the site of one of his former film studios; and his later years selling toys and candy at the Gare Montparnasse (1926-1932) before being rediscovered by journalists and the avant-garde. These and other fascinating chapters highlight the remarkable range of MEliEs's creative work while suggesting how his singular life was nevertheless shaped by the seismic historical shifts of Second Empire and Third Republic France.

Before he became the father of cinematic special effects, George Melies (1861-1938) was a maker of deluxe French footwear, an illusionist, and a caricaturist. Proceeding from these beginnings, Melies Boots traces how the full trajectory of Georges Melies' career during the late-nineteenth and early-twentieth centuries, along with the larger cultural and historical contexts in which Melies operated, shaped his cinematic oeuvre. Solomon examines Melies' unpublished drawings and published caricatures, the role of laughter in his magic theater productions, and the constituent elements of what Melies called "the new profession of the cineaste." The book also reveals Melies' connections to the Incoherents, a group of ephemeral artists from the 1880s, demonstrating the group's relevance for Melies, early cinema, and modernity. By positioning Melies in relation to the material culture of his time, Solomon demonstrates that Melies' work was expressive of a distinctly modern, and modernist, sensibility that appeared in France during the 1880s in the wake of the Second Industrial Revolution.

Through his radio and film works, such as The War of the Worlds and Citizen Kane, Orson Welles became a household name in the United States. Yet Welles's multifaceted career went beyond these classic titles and included lesser-known but nonetheless important contributions to television, theater, newspaper columns, and political activism. Orson Welles in Focus: Texts and Contexts examines neglected areas of Welles's work, shedding light on aspects of his art that have been eclipsed by a narrow focus on his films. By positioning Welles's work during a critical period of his activity (the mid-1930s through the 1950s) in its larger cultural, political, aesthetic, and industrial contexts, the contributors to this volume examine how he participated in and helped to shape modern media. This exploration of Welles in his totality illuminates and expands our perception of his contributions that continue to resonate today.

Best moving pictures I ever saw. Thus did one Vaudeville theater manager describe Georges Melies s A Trip to the Moon Le Voyage dans la lune], after it was screened for enthusiastic audiences in October 1902. Cinema s first true blockbuster, A Trip to the Moon still inspires such superlatives and continues to be widely viewed on DVD, on the Internet, and in countless film courses. In Fantastic Voyages of the Cinematic Imagination, leading film scholars examine Melies s landmark film in detail, demonstrating its many crucial connecions to literature, popular culture, and visual culture of the time, as well as its long afterlife in more recent films, television, and music videos. Together, these essays make clear that Melies was not only a major filmmaker but also a key figure in the emergence of modern spectacle and the birth of the modern cinematic imagination, and by bringing interdisciplinary methodologies of early cinema studies to bear on A Trip to the Moon, the contributors also open up much larger questions about aesthetics, media, and modernity.
In his introduction, Matthew Solomon traces the convoluted provenance of the film s multiple versions and its key place in the historiography of cinema, and an appendix contains a useful dossier of primary-source documents that contextualize the film s production, along with translations of two major articles written by Melies himself. Included with the book is a critical edition DVD containing two versions of the film: a reconstructed version (finally presented at the speed specified in Melies s catalogs) accompanied by an original 1903 score and a recently rediscovered color-tinted version; both have optional audio commentaries by the editor.

"Disappearing Tricks" revisits the golden age of theatrical magic and silent film to reveal how professional magicians shaped the early history of cinema. Where others have called upon magic as merely an evocative metaphor for the wonders of cinema, Matthew Solomon focuses on the work of the professional illusionists who actually made magic with moving pictures between 1895 and 1929. The first to reveal fully how powerfully magic impacted the development of cinema, the book combines film and theater history to uncover new evidence of the exchanges between magic and filmmaking in the United States and France during the silent period. Chapters detailing the stage and screen work of Harry Houdini and Georges Melies show how each transformed theatrical magic to create innovative cinematic effects and thrilling new exploits for twentieth-century mass audiences. The book also considers the previously overlooked roles of anti-spiritualism and presentational performance in silent film. Highlighting early cinema's relationship to the performing body, visual deception, storytelling, and the occult, Solomon treats cinema and stage magic as overlapping practices that together revise our understanding of the origins of motion pictures and cinematic spectacle.

Through his radio and film works, such as The War of the Worlds and Citizen Kane, Orson Welles became a household name in the United States. Yet Welles's multifaceted career went beyond these classic titles and included lesser-known but nonetheless important contributions to television, theater, newspaper columns, and political activism. Orson Welles in Focus: Texts and Contexts examines neglected areas of Welles's work, shedding light on aspects of his art that have been eclipsed by a narrow focus on his films. By positioning Welles's work during a critical period of his activity (the mid-1930s through the 1950s) in its larger cultural, political, aesthetic, and industrial contexts, the contributors to this volume examine how he participated in and helped to shape modern media. This exploration of Welles in his totality illuminates and expands our perception of his contributions that continue to resonate today.